Cameron Bishop Curriculum Vitae
2010 PhD, Deakin University
2002 Monash University, Master of Arts
1998 Monash University, Honours (1st Class)
1997 Royal Melbourne Institute of Technology, Bachelor of Arts (Fine Art)
1991 VCE (Year 12)
2003 2013 Various professional development programs with Deakin and TAFE accredited training in teaching and first aid
Current Lecturer and Head of Discipline, Visual Arts, Deakin University, Waterfront Campus
2013/12 - Examiner, University of Tasmania MCA and Honours program
2011 13 Editorial Board, Junctures: Journal for Thematic Dialogue
2011 12 Examiner, Monash University MFA program
2005 2010 Lecturer and Tutor, 1st and 3rd Year Studio Art (Painting and Drawing), Deakin University
2004 2007 Disability Development and Services Officer, The Department of Human Services
2005 2007 Volunteer English Tutor, AMES (Adult Multicultural Education Services)
2003 - Lecturer, School of Art Otago Polytechnic, Theory and History of Art Dept.
2001 - Artist in Residence, Wellington Secondary College, Melbourne
2000 - Guest Lecturer, Swinburne College of TAFE, Hawthorn
2000 - Tutor, Monash University Sculpture Department, Caulfield
Scholarships, Grants and Awards
2014 Finalists fee, McClelland Gallery Sculpture Survey and Award
2013 Exhibition sponsorship, Academy Gallery, University of Tasmania
2012 Finalists fee, McClelland Gallery Sculpture Survey and Award
2009 & 2010 Commendation for Excellence in Teaching Awards, Deakin University
2007-2008 Australia Council Emerging Artist Grant, Bozo Ink
2005-2007 Australian Postgraduate Award
2003 Otago Polytechnic Research & Development Committee Grant
2003 Creative New Zealand Grant
2001 Arts Victoria Grant
1999-2001 Monash Graduate Scholarship
Publications Conferences & Essays
2013 Exhibition essay for Camille Hannahs exhibition, Fleshold, at Nellie Castan Gallery
2013 Exhibition essay, Projections13, with Trent Griffiths
2012 Catalogue Essay, Notes for the Disoriented, under the pseudonym, H. Wales-Green, for Bishop and Reis, Gallery X Series catalogue
2011 Journal article (peer reviewed): Singing in The Wind: Beyond the Peace/War Dichotomy, Susan Ballard and Bridie Lonie (eds.), Junctures: 14, Peace (Creative Commons, Uniprint, University of Otago, 2011).
2011 Journal article (peer reviewed): The Staging of Identity in Other/s Spaces: Heterotopias and Superfictions in Practice, Ann McCulloch, Ron Goodrich, Paul Monaghan and Tony Hood (eds.) in Double Dialogues, Exterior Worlds: Hidden Stories, Issue 13: (http://www.doubledialogues.com/issue_thirteen/contents_thirteen.html).
2011 Catalogue Essay: Channel Surfing, Pausing for Attention, for Simon Grennans exhibition, Green Space, Manningham Gallery
2011 Catalogue Essay: Goat Swinging, for Amanda Shones exhibition, Atmospheric Relations, Inflight Gallery, Hobart 2011.
2011 Magazine Article: Staking my Claim: Politics into Practice and Collaboration, in Showcase, Dr Margaret Kumar (ed.) (Deakin University Publications).
2010 Book Chapter (refereed): Self Authorship: The Disturbing Identity of the Author in Framing my Name: Extending Educational Boundaries, Margaret Kumar, Supriya Pattanayak and Richard Johnson (eds.) (Common Ground Publishing, Melbourne).
2009 Conference Paper (refereed): The Staging of Identity in Other/s Spaces, Double Dialogues, Hidden Stories (VCA, Melbourne).
2009 Thesis: The Staging of Identity in Other/s Spaces, PhD Thesis, Deakin University.
2007 Magazine Article: a/political marks in heterotopia, Showcase, ed. Dr Margaret Kumar (Deakin University Publications).
2007 Conference Paper: The Political Object for McClelland Gallery, Sculpture Symposium.
2006 Catalogue Essay: The Artist is a Fascist, Naturally, essay for Storm Gold's exhibition, Dumb Cloud Win Affection, Victoria Gallery, Melbourne.
2003 Catalogue Essay: The Dusty Subject, essay for Lloyd Godmans book and exhibition, When Light Turns to Dust, (Foto-synthesis Publishing, New Zealand).
2001 Thesis: Millennium Convenience and Necessity: Inflated Icons, Master of Arts thesis, Monash University.
1998 2011 Various presentations: numerous talks, on own art works and other peoples, in-situ. I have spoken to organised groups and to the media on several occasions and worked with and co-ordinated the collaborative group of artists, Bozo Ink, over this time.
Exhibitions (Curated, Individual and Collaborative)
2013 Heteromania, The Academy Gallery, UTAS, Launceston, Tasmania
2013 Curator and Coordinator, Projections 13 event, a collaboration with Courthouse Arts, Geelong, Deakin University and the World Congress on Communication and Creative Arts.
2013 Co-ordinated Geelong Fringe Festival New Wilderness workshop program and exhibition
2012 The Max Bell Gallery (Gallery X Series), Bishop & Reis (Simon), Geelong Regional Gallery, Geelong.
2012 Bunker-de-Bunk 2012, with Bozo Ink, The McClelland Gallery Sculpture Survey and Award (finalist), Langwarrin.
2011 History Paintings, Red Gallery, Melbourne.
2011 Gallery X2, Bishop & Reis, Seventh Gallery, Melbourne.
2010/11 X is not the same as X, Bishop & Reis, West Wing Gallery (West Space), Melbourne.
2010 Bad Impressions, Red Gallery, Melbourne.
2009 Glacial Matters, with Bozo Ink, 6a Gallery, Hobart.
2009 Other Spaces, Phoenix Gallery, Deakin University, Melbourne.
2009 Dumb Luck, Dead Duck, 6a Gallery, Project Space, Hobart.
2008 The Room That Was, West Space, Melbourne.
2007 The Mnemonia Room, with Bozo Ink, McClelland Gallery Sculpture Survey and Award (finalist), Langwarrin.
2006 Mnemonia Country, with Bozo Ink, Seventh Gallery, Melbourne.
2006 Mobile Mnemonia, Trocadero Art Space, Melbourne.
2006 The Mnemonia, with Bozo Ink, Yarra Sculpture Space, Melbourne.
2005 heteroskin, West Space, Melbourne.
2003 x y s k i n, Blue Oyster Gallery, Dunedin, New Zealand.
2001 Millennium Convenience and Necessity: Inflated Icons, The Faculty Gallery, Monash University, Caulfield.
2001 Transition, commissioned permanent installation, Wellington Secondary College, Melbourne.
2001 Inflated Icons, Tmesis Gallery, Melbourne.
2000 The Twelve Apostles, The Faculty Gallery, Monash University, Melbourne.
1998 Bruised Skins, Tmesis Gallery, Melbourne.
Selected Group Exhibitions
2012 Face to Face, Deakin University Art Gallery and Dennys Lascelles Gallery, Geelong
2011 Discovery, Deakin University Art Gallery.
2008 Bozo Ink, Motor, Docklands, Melbourne.
2007 An Answer For The Parts Only Itinerant Sighs Can Fathom, Victoria Park Gallery, Melbourne.
2004 The Motor Show, Yarra Sculpture Space, Melbourne.
2001 ArtArt, Monash Universtiy Museum of Art, Clayton, Melbourne.
2000 re-Searchworks, Yarra Sculpture Space, Melbourne.
2000 Its a Big Big World, The Faculty Gallery, Monash University, Melbourne.
1999 Incision, Platform Galleries, Melbourne.
1999 Search, Monash University Museum of Art, Melbourne.
1999 Stop 22s Greatest Hits, Stop 22, Melbourne.
1998 Art for a New World Identity, Monash University Museum of Modern Art, Melbourne.
1998 Distance, The Next Wave Festival, Arrarat, Victoria. Melbourne.
1998 Group Show, Tmesis Gallery, Melbourne.
1997 Six: An Exhibition, Stop 22, Melbourne.
2013 Exhibition Review, World Sculpture News, Summer, 2013,
2013 If you go down to the Woods Today, Melbourne Review, John Neylon, April edition
2013 Exhibition Interview, Geelong Advertiser, Projections13
2012 Catalogue Essay, Being Appropriated, The Observer Observed, by Simon Grennan for Geelong Gallery exhibition, The Max Bell Gallery
2012 McClelland Gallery Outdoor Sculpture Exhibition and Award, Catalogue Essay, Penny Teale
2012 How to talk to Girls in the Mall, P.Murray and M.Ellis eds. West Space publication: interview, summary and discussion in book detailing 2010/11 work X is not the same as X at West Wing (WestSpace) Gallery. 2011 Crawl, Bishop & Reis, short review, www.crawl.net.au,
2010 & 11 Interview, Media and Communication Handbook, Deakin University.
2009 Exhibition Review, Art Monthly, November Issue.
2009 Anonymous interview representing the artist group, BOB, Spook Magazine, Issue 1.
2008 The Age, exhibition review, Frances Johnson, February.
2007 McClelland Gallery Outdoor Sculpture Exhibition and Award, Catalogue Essay, Robert Lindsay.
2006 The Age, exhibition review, Megan Backhouse, August.
2004/05 EGO Magazine, by Geoff Piggot, Summer Issue.
2004 Sunday Deep End, ABC Radio National, November.
2003 The Otago Daily Times, exhibition review by Richard Dingwell, November.
2001 Art for a New World Identity, Monash University Museum of Art exhibition catalogue.
1999 Search, by Stephen Haley, Monash University Museum of Art exhibition catalogue